The metaphor is vivid and appropriate: compare yourself with the fallen flower, and compare yourself with the fallen flower that leaves the branch, and the image is natural. At the same time, the behavior of continuing to contribute to the country and society is likened to falling flowers turning into spring mud to protect flowers, and the abstract emotions and wishes are vividly visualized, which makes it easy for people to understand and deeply feel the poet's spiritual realm of not changing his initial dedication even if he is in trouble and out of his original position.-The key link between the preceding and the following: This sentence plays a vital role in the poem "Ji Hai Miscellaneous Poems No.5". The poet described his resignation from Beijing and bid farewell to the land of many years of life and official career. It was a complex emotion intertwined with disappointment. "The mighty sorrow leaves the sky, and the whip refers to the end of the world" outlines the picture of parting and the sad mood. However, "Falling Red is not a heartless thing, but turning into spring mud can protect flowers more" skillfully inherits this parting, further visualizes one's complex emotions through falling red flowers, and at the same time opens the following chapter, expanding from simple personal emotion expression to expressing one's lofty ambition to contribute to the society despite being far away from officialdom, so that the emotional context and ideographic level of the whole poem can be promoted coherently and deeply, and the structure is very compact and natural.-The key link between the preceding and the following: This sentence plays a vital role in the poem "Ji Hai Miscellaneous Poems No.5". The poet described his resignation from Beijing and bid farewell to the land of many years of life and official career. It was a complex emotion intertwined with disappointment. "The mighty sorrow leaves the sky, and the whip refers to the end of the world" outlines the picture of parting and the sad mood. However, "Falling Red is not a heartless thing, but turning into spring mud can protect flowers more" skillfully inherits this parting, further visualizes one's complex emotions through falling red flowers, and at the same time opens the following chapter, expanding from simple personal emotion expression to expressing one's lofty ambition to contribute to the society despite being far away from officialdom, so that the emotional context and ideographic level of the whole poem can be promoted coherently and deeply, and the structure is very compact and natural.
Cultural connotation level"Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem:
In a word, "Falling red is not a heartless thing, but turning into spring mud protects flowers more", with its beautiful images, profound expressions, sincere feelings and superb artistic techniques, has become a famous sentence that has been celebrated through the ages, inspiring future generations to uphold their dedication and shine in different fields.Cycle after cycle, cycle after cycle.-cross-era enlightenment: its significance is not limited to Gong Zizhen's era. Even after a long time, it still has a profound enlightenment. In all fields of today's society, whether educators do their best to train the next generation, or researchers are willing to sit on the bench and devote their efforts to promoting scientific and technological progress, or countless ordinary workers stick to their posts and shine, we can find spiritual reflection from this poem. It reminds people that the value of life lies not in temporary gains and losses and position, but in being able to pay and contribute continuously, transforming personal strength into nutrients to promote social development and nourish the growth of beautiful things, and inspiring generations to make unremitting efforts to realize the unity of personal ideals and social values.
Strategy guide 12-14
Strategy guide 12-14
Strategy guide 12-14
Strategy guide
Strategy guide
12-14